My neighbor, near me on the bus, moves his lips
while looking at his phone. They’re like two
little birds whispering to that tiny sunrise he holds.
He will finish, snap out, look up, and laugh with me
at the empty roads, I know it, because we’re speeding
reckless in the wide open streets. The whole
world flew south to find a place to watch
one unimaginably distant body come
between us and another even more
distant body. If we believe the old stories,
they’re men and women, our mother
dancing, shielding us, hiding our father’s glare.
If we believe the new stories, roads will turn
to parking lots and children will forget
the names of their families, wandering lost
in a sea of empty gas stations and dehydration.
If we believe only the story that something
inevitable is happening, we will marvel
at the precision, at our predictive powers,
at the blurred lines between chirping crickets
and the notifications ringing in our pants.
Or, instead, on the roads, in our yards, high
behind windows built for silence, ludicrous
in our magical glasses, could we just lose
the tale? Know what the end might look like?
In the momentary darkness, fumbling
for our offerings to coax the daytime back—
our multitools and battery-powered radios,
our spare cash and backup maps, will we breathe
in that chill air, when everything purples,
when the birds change key, when millions
of us look, not to the sky but left and right, and see
each other, gone out of our way to stand,
together, where the light disappears.