I have always wanted to write a poem in which lavender
rhymes with vendor or scavenger but mostly cadaver,
but the image—imagine a literary journal’s response—
seems inadvertently humorous—and there seems no nonchalant
way to pair them, to rhim them, as my students
say, which is a marked improvement
over their DO NOT RHYME policy
and their almost comic cacophonies
composed confidently through alliteration,
and when they get it, it becomes an addiction—
one kid rhims porridge with dirigible,
another, having fallen in love with Prufrock’s dreariness
and his own cleverness suggests fellatio and go,
and another student, in earnest, asks what’s fellatio,
and I try not to laugh, to let
another student
say it, but no one does—a blow job,
I blurt, having reached an all-time teaching low,
and another, seeing I am losing control
suggests go and polka dot
and they go down the cananendwordbetwowords path
and come back to craft,
which kind of goes with Pabsts, which one argues
is not that bad a beer, and so the impromptu
debate on the virtues of PBR,
which one declares sells well in this recession—or so he heard
on CNN—a connoisseur, he also notes the virtues
of Natty Light and when I ask for a 50% rhyme for virtue
he says river, rivet, turtle, true—here I should note that I stole
the percentage concept from an old
mentor who does not like to be called old. But never mind.
What do you say to a twenty-year-old who hears Kevlar
and thinks larva, lava, valley, ale, and just because
he can, adds vulva and uvula and pauses dramatically for guffaws?
I’m sorry, kid, but you’re going to be a poet.
And poet
is an orphan,
a word for which there are no pure rhymes, like orange.
I’m sorry you have a gift for words.
I’m sure your parents would have preferred
even geology over writing,
but here you are spiraling
spite, rips, lipid, dalliance, nascent, land,
and pyrrhic, hiccup, puce and pedal.
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