The new couch is gray. Or it’s a color
called, in the inflated language of glossy ads,
puffed musk. Which, to be more precise,
looking more closely now, is a shade of mushroom
somewhere between morel and portobello. Why
do I keep thinking it’s gray?
My daughter’s eyes
are hazel, but tend, certain days, toward gray.
If you’ve ever seen a foal just birthed, that
so-fast tremor of skin new to air, my daughter’s
eyes are like that—the sense of being wholly
alive. My daughter’s eyes are gray.
Sometimes
I feel the pull, magnetic, of the time I almost
managed to escape this life, and that, too, is gray,
like if you ever mixed papier-mâché. Which
is wet newspaper covered in a flour and glue
paste. That pull is like this, holding a cold glop
of that grayness, when your only real desire
is to have clean hands.
My only real desire
is to look at the couch. That gray, textured,
tactile, so here. To avoid the too-alive gray
of my daughter’s eyes. To ignore the sick-
wet pull of the in-between.
I swallow it all
and stare at the couch’s back. My daughter
watches mine.