The Dark Miracle of Insomnia
She handed me a baggie of holy dirt—
a gift from a new friend. Back at the motel,
it reminded me of various drugs I’d ingested
in various ways. I wondered if airport security
would sniff it out the next day.
She handed me a baggie of holy dirt—
a gift from a new friend. Back at the motel,
it reminded me of various drugs I’d ingested
in various ways. I wondered if airport security
would sniff it out the next day.
More to the left, he says, then leans to watch
the dangling claw from a better angle
as I guide the stubby joystick, grease-slick
from unwashed hands—just two coin-fed alley kids
fishing for a way to pass the time. Behind the screen,
the glass-eyed, cheap stuffed animals, cotton-cored
Shoulder-deep in the sea turtle’s nest,
I search for remains, nothing alive.
The tiny turtles would have climbed
over each other, forming a living ladder
out of their sandy birth canal
Brother is such a close word,
a rabbit word, a ghost word,
a throat word, a word of blood
& root & cell & stem shot
through concrete, an agree word
In the hospital, my stepfather wakes. They ask him who is president. Well, what year is it? he jokes, as if there will never be a time he won’t remember,
I write to make things right, or to make myself right with things. I do this by the right use of language. This is what first struck me when I read poetry in school and the urge was born or renewed to do what I saw poetry in the right hands did. To me, poetry is the rightest use of language, and it’s no coincidence that ‘right’ and ‘write’ are homophones.